Friday, July 9, 2010

Wodin's Day Practise and The Bar One Stone




Well first of all. Steve picked Nic and I up and we arrived a little early outside Kill City Blues. We were kindly verbally accosted by the drunk bergie and then were kindly let in to the practice rooms. Phew!

Discussions for a setlist this Friday at Mercury with Isochronous was a serious matter of contention. But a meaty set was furiously whipped up.

We also discussed recording drums on Thursday and Friday with our friend Stefan Wyeth in a wooden-floored room in our friend’s Observatory house. Which is sounding very cool apparently.

Then Nic Rixx came in to say hi. And then Steve’s packet of chips fell over. And I was sad. Because I love chips.



The Bar One Stone



I believe certain objects adopt you. I believe they find you and assist you with work or annoy you or just give you some sympathy. When we were recording A Signal Path in 2008, the Bar One Stone found me and helped me.

It was an ungainly looking geological nugget. It resembled a Bar One chocolate bar. Or rather the last bite left of one. There was a stoney toffee centre enveloped in an obsidian dark chocolate.

When we started recording I built a little coccoon in the RockitDog Studios with some black sheets and black bags. All the while I was behind that microphone I was clutching the Bar One Stone. It supported me... grounded me.

Alas the Bar One Stone has since left me to give someone else the support it so expertly gives out. I enjoyed our time together and thank it for it's support.

Wednesday, July 7, 2010

Soon My Pretties, Soon...

Some of you know that we've been working on new music at Kill City Blues rehearsal studios. And some of you have asked us over a beer or two at our shows about any upcoming releases.

And we have good news: Yes, there will be releases in the near future. We are in the preparatory stages of working with acclaimed Cape Town producer Dirk Hugo, who has worked with some of South Africa's freshest artists, like Blk Jks, Righard Kapp and Benguela. Sonically our work with Hugo is leaning towards the experimental and cinematic.

At the same time our friend, the talented sound engineer Stefan Wyeth will assist us in recording some of the songs we’ve written since our first album, A Signal Path. These will be produced by our own talented Nicolai Roos.

In other news, as you may know, our bassist Jordi Reddy sadly departed from The Sleepers camp last year to finish his Phd in Bio-Mechanical Engineering - but you can still catch him with his awesome band Anaphys. His replacement, our high-school friend Chris Truter, has filled Jordi's very large 30Hz shoes and he really shines on the newer tracks.

All in all the new songs are firming and strengthening some areas The Sleepers have explored as well as excavating newer pastures. We are mining those hills!

Simon

The Sleepers

Sunday, July 4, 2010

Rehearsal Diary #0

Wednesday 30th June -

Final set of secret instrumental rehearsals surrounding new material.

Ploughed through a belcher of an anthem from the quill of Adam. The kind of song you'd play while watching a mammoth gore and puncture a giant metal swan filled with toxic waste. Sign your pain waivers now.

We also began working on another great exotic and dusty composition from Nicolai, freshly arranged and extended by Adam and myself. Steve ended up turning the tables on us, being the only one capable of handling it's intricate opening rhythm so far.. which is not supposed to happen!

Saturday, July 3, 2010

The Sleepers Posters

Hello Friends,

Many people have asked where they could get prints of The Sleepers posters from some of our shows. Well, the good news is that you can look at them all here.

Email us to order prints at A4 / A3 or A2. (Some posters won't be available at A2)

More exciting and limited merchandise to follow in the future.

I leave you with the poster for our next show with Isochronous.

See you there.

Friday, April 9, 2010

The Sleepers & Verona Walls Easter Tour.

This past February we had our first adventure up country. It was
fantastic but we were crammed into a blue combi from Cape Town to
Joburg for 19 hours. Now, this past Easter, just as finger-shaped
bruises on throats start to fade, we jumped into 3 cars with our
friends Verona Walls for a 2 date mini-tour up the East coast, dodging
kamikaze truck drivers and stuffing ourselves with Dagwood burgers
along the way.

Simon and I had flu and our conditions were temporarily worsened by
our arrival in East London. The place is nice enough but one cannot
help feeling like someone is walking over your grave. Even Steve, who
was born there, had no explanation for this curious atmosphere. Due to
the Easter time-warp and roadblocks afflicting our national roads we
had missed sound check.

Our first show was at the Art Theatre Club we shared a bill with a
number of local metal bands (whose names have escape us all it seems,
very sorry) and Horse The Band from the U.S. We arrived in time to
catch the first bands. One guitarist had the uncanny ability to sound
like the death phone ring tones from Metalocalypse. Us, Verona Walls
and Horse The Band played well amid technical difficulties and dealt
in our own ways with some who didn't know what to make of the
'not-metal'.

Not feeling well afterwards, I passed out almost immediately at our
backpackers while the rest made merry into the early hours. I woke up
the next morning feeling sickly and tender. I must have had one
Dagwood too many. We soon said fair well to East London.

Hours and hours later, we arrived at the doorstep of Cameron, owner of
Jester's, the next venue. Cameron kindly let us stay the night in his
big home. He's a fantastic host and great guy.
Jesters is awesome (great selection of potent shooters). Nearby i was
amused to see a club called Dagwood. While Dear Martyr very capably warmed
the crowd, Verona were preparing themselves for their performance by
sampling said shooters, pacing and crawling on the floor. Their set,
including a guest appearance by Simon, was so tight and full of energy
I was gobsmacked. Riding the wave they created, we played well. Marne
(Verona guitarist) joined us on stage for his favourite song
'Restriction'. He took photos sang and mooned the crowd. Speaking of
the crowd, we were surprised by their warm response. P.E really seems
to be full of friendly people. I hope to be back there soon.

After the show the partying started. Memorable moments include:

-A stop off at an Engen where Marne attempted to steal a Debonair's
Pizza delivery scooter.
-A terrible collision involving me, a shoe, a crying, one-legged
homeless man, an Engen bathroom and it's colourful contents.
-Much time spent beer funneling and absinthe lighting.
-Steve cling-wrapping a sleeping Adam's legs together.

At some point most of us passed out, have exhausted our quaffs, while
others went off to the beach to freeze their asses off.
Saturday next morning we had breakfast at a diner (I had my last
Dagwood) before heading home.

Arriving back at Kill City that evening, everyone off-loaded gear and
went for an end-of-tour drink at the Shack - except for me. I was
barefoot ever since the Engen bathroom incident and I managed to cut
both my feet open stepping on glass on the pavement outside Mercury. I
went home - barefoot and beerless, though ready to do it all over
again.

Much love,
Nic

Tuesday, March 16, 2010

The Fear Will Unite Us

Constantly let it out
don't you ever fold
Cut the rope relentlessly
drive it to the ground
An aftermath, a dreaded peak
drive it to the ground

Snakes in our path
Pearls catch the light
Needles point south
Mirror's shards reunite
You and I
we are fine

Scattered papers, torn curtains
You're all that's left now
Broken windows, the door's open
The walls are bare now

A rusted buried blade
A flower's broken vase
Taught wires over broken steel